No Exit Spring 2026: Cleveland Renaissance: Art of the Cleveland School
“What NoExit has assembled is something rarer than a themed concert program: an act of civic archaeology conducted in real time, before a live audience, with all the mess and urgency that entails”
-Paul Cox, CanJournal.org (March,2026)
Figures with Birds (2026)
Chris Neiner (b.1994)
Plume (2026)
Ray McNiece (b.1960)
After The Brandywine in Winter (ca. 1923-1925) by William Sommer (b.1867 – d.1949)
Vanity (2026)
Gleb Kanasevich (b.1989)
After Shells (1937) by Clara Deike (b.1881 – d.1964)
Left Unsaid (2026)
Adonai Henderson (b.1993)
After The Confrontation (1970) by Hughie Lee-Smith (b.1915 – d.1999)
Intermission
Hi Stranger (2026)
Raja Belle Freeman (b.1998)
After Bedtime (1940) by Charles Sallée (b.1913 – d.2006)
Clarence Carter (2026)
Greg D’Alessio (b.1963)
After Jane Reed and Dora Hunt (1941) and
Eschatos no.6 (1973) by Clarence Holbrook Carter (b.1904 – d.2000)
The Japanese Bridge (2026)
Timothy Beyer (b.1970)
After The Japanese Bridge (1913) by William Sommer (b.1867 – d.1949)
Sunday Morning Apples (1927)
To William Sommer
Hart Crane (b.1899 – d.1932)
Anti-Fascist Triptych (2026)
James Praznik (b.1985)
After Anti-Fascist Triptych (1945) by Clarence Van Duzer (b.1920 – d.2009)
Review
March10, 2026
NO EXIT REDISCOVERS THE CLEVELAND SCHOOL
by Paul Cox, canjournal.org










